groove attack kontakt

From left to right, here’s what the elements do: Size (only visible in external window): If you have opened the Wave Editor within an external window by clicking the arrow next to the Wave Editor button at the top of the Rack, this drop-down menu lets you choose between three predefined window sizes. Please inform us if you detect any infringement of trademarks or other distinctive signs so we can review the matter without delay. For instance, if your Zone consists of one bar at a tempo of 50 BPM, KONTAKT might misinterpret it as two bars at 100 BPM. The range in which your Zone start position can be modulated back and forth is indicated with a horizontal green line above the Zone start marker. Als größter Independent Vertrieb Deutschlands sorgen wir flexibel und zuverlässig dafür, dass Musik auch abseits des Mainstreams überall verfügbar ist - physisch, digital und weltweit. When you’ve selected the Sample Editor tab, the region selection for destructive operations will snap to Slice markers as well, which lets you perform operations like removing, exchanging, or reversing Slices in isolation very quickly. To zoom out again, just click somewhere in the view. Beats, Rhymes, Life & sometimes Punchlines: Wir lieben Musik, deswegen sorgen wir dafür, dass die W Groove Attack | Cologne You can find these parameters in the middle and on the right side of the Sync / Slice tab. If the Grid is active, all changes to the start and end points, whether they take place graphically within the waveform view or numerically within the edit panel, will snap to the nearest Slice marker; this makes creating exact loop regions within rhythmic material very easy. You can change both the numerator and the denominator of the displayed note value by clicking on it and dragging your mouse vertically; also, clicking on the -/+ buttons next to the note value will halve or double the denominator, thereby increasing or decreasing the size of your Slices. The oldest record shop in Cologne, Groove Attack has been peddling wax since 1992, a year that still informs much of its most crucial stock. Sie können darüber hinaus die Erfassung der durch das Cookie erzeugten und auf Ihre Nutzung der Website bezogenen Daten (inkl. Note that this function will overwrite your currently selected Zone Envelope. These can be added to Group-level modules, which means that any conventional envelope affects all Zones in a Group in the same way. Für die Nutzung unserer Webseite ist jedoch immer maßgeblich die zum Zeitpunkt Ihres Besuchs online abrufbare Fassung unserer Datenschutzerklärung. Note that only the section between the start and end points of your loop is played, not the initial portion of the Zone before the loop; therefore, the playback result will be different from what you will hear when you trigger the Zone with a note. While it’s inaudible, it can reduce your headroom and cause problems at mixdown. When you select a loop region, KONTAKT will display its parameters within the edit panel next to the selection buttons, and highlight the region in the waveform view. The selection drop-down menu contains all Zone Envelopes of your current Zone. This requires that you have set the External Wave Editor option on the Handling tab of the Options dialog beforehand. Create and edit loops . X-Fade: To mask imperfect loop points, KONTAKT can fade the end of the loop region into its beginning. To access KONTAKT’s palette of destructive editing tools, click the Sample Editor tab in the lower part of the Wave Editor. Changing the left or right border of the selection or moving it as a whole works as described above, but the selection will remain tied to the Slice markers. Auskunfts- und Widerrufsrecht, Berichtigung und Löschung von Daten. The topmost row of buttons in the Wave Editor pane provides various navigation functions that affect which part of the Sample is currently being displayed, a set of playback controls, and menus that contain selection options and utility commands. These actions will be described after the next section. www.facebook.com/about/privacy Clicking on this icon will globally activate or deactivate all loops of your Sample. Editor: When you click this button, the current Sample will be opened within your favorite external Sample editor. When it’s activated, clicking and dragging your mouse in the waveform view will open a zoom frame; when you release the button, the area within the selection frame will be horizontally zoomed in so that it fills the entire view. Note that when you’re using an envelope loop that doesn’t match an identical loop region in your Sample, your envelope and the Sample will eventually drift out of synchronization. As the Time Machine treats your Sample as one contiguous region with no regard to Slices, you don’t necessarily need to have the Grid activated in order to use this feature. The lowest assignment button on the Zone Envelopes tab of the Wave Editor should now read Add: Cutoff. Moving the start marker will change the position from which the Sample will be played when the respective Zone is being triggered; you can change it either by dragging the vertical green line in the waveform view, or by adjusting this value as described above. Therefore, the tempo control is still visible at the bottom of the Grid panel in Auto mode and might need manual adjustment as described in the previous section. RRClassics℗ -Released on: 1996-01-01Auto-generated by YouTube. In unserem Auftrag wird Google diese Informationen benutzen, um Ihre Nutzung unserer Website auszuwerten, um Reports über die Aktivitäten auf unserer Website zusammenzustellen und um weitere mit der Nutzung unserer Website und der mit der Nutzung des Internets verbundene Dienstleistungen gegenüber uns zu erbringen. At the beginning of the envelope, you’ll notice a small rectangle; this is the first breakpoint of your envelope. The mapping features of the Sync / Slice tab allow you to turn Slices into separate Zones, which makes it possible to trigger them separately; this way, you can instantly create a playable “drum kit” from any drum loop, and construct entirely new patterns out of its elements. After releasing tracks at the top record labels, the crew established \"Mainstage Records\" together with Stas (Vibe Tribe) and have been releasing their own materials for the past 2 years, as they always say - Expect the unexpected !This channel is powered by Trancentral. The Wave Editor panel. Play: Clicking on this button will either play your Zone once (if the Loop button next to it is inactive), or the currently selected loop region (if the Loop button is activated). When you select a loop region for editing, it will automatically be activated. There are cases, however, when modulating parameters on a per-Zone basis would be really helpful; Zone Envelopes make this possible. You can change the start and end positions of a loop region graphically by clicking on its left or right border, respectively, and dragging it horizontally. Building Zones, Groups and Instruments out of ready-made Samples is fine by itself, but if you want to really get into creative sound design, you’ll sooner or later want a tool that lets you work directly on the waveform of your audio material. This feature works similarly to the loop sections of flexible envelopes, though in contrast, it does not need to be anchored to breakpoints. To create and edit loops, first click the Sample Loop tab in the Wave Editor. It’s almost always a good idea to activate and adjust the Grid panel first before doing any further editing on rhythmic material. Logout und Ihre Kundennummer. While you change the positions, observe the transition in the center of the view; the more it looks like a continuous waveform, the cleaner your loop will turn out to be. This allows you to fine-tune automatically generated Slices, or manually slice material that’s not suitable for being processed automatically. Slicing your drum loops or phrases opens up a range of possibilities for changing their speed and patterns, and can be used to align most editing operations to rhythmical values of your material. This method allows you to quickly and intuitively get a detail view of a specific region of your Sample. As an example, suppose you’re playing a sliced dub drum loop via the Beat Machine and want to add reverb to a single snare hit. Of course, if you already know the tempo of your Sample, you can skip all this and just enter the correct tempo value after double-clicking on the tempo value. The Sync / Slice tab provides four different approaches to make your Sample independent from its original tempo or pattern: you can feed your slices to the Beat Machine, time-stretch your Sample with the Time Machine, or map your Slices to the keyboard in a manual or automated fashion. Therefore, you need to specify the correct (rhythmical) length of your Zone in the Zone Length field of the Sync / Slice tab. Also, the Pencil Tool explained below allows you to create straight envelope lines for each Slice. If the Time Signature value matches the meter of your loop, but the tempo is still incorrect, KONTAKT has estimated the number of bars in your Sample incorrectly. Laden Sie Cover Ihrer Produkte hoch, speichern wir Dateiname, Dateityp, Dateigröße und Datum und Uhrzeit des erfolgten Uploads. Our website contains links to external third party websites. Adjust Loop Starts +/- 1: This nudges the start points of any loop regions in all selected Zones forward or backward by one sample value. The name of this send parameter should now appear in the Add: button on the Zone Envelopes tab. Subscribe: http://bit.ly/SubscribeHOMmegaGet it: https://www.beatport.com/release/return-to-the-sauce/1929787Infected Mushroom - Return To The Sauce, release. Until Release: KONTAKT will play the loop in a forward direction as long as the key is being held. Natürlich können Sie unsere Website grundsätzlich auch ohne die Verwendung von Cookies betrachten. In the previous chapters of this manual, we explained how you can use KONTAKT to turn Sample files on your hard disk into playable Instruments. 85 D-50829 Köln . Loop End: The end position of the loop region within your Sample, displayed in sample values. The Slice width directly affects the usefulness and quality of later tempo adaptations, either via the Beat Machine or by triggering the Zones from the outside. 49, 50672 Köln, Germany Go for: Hip-hop, beats and samples What's the story? Find company research, competitor information, contact details & financial data for GROOVE ATTACK GMBH of Köln, Nordrhein-Westfalen. Wir übernehmen keine Verantwortung für die Inhalte dieser Seiten: www.facebook.com/full_data_use_policy NETCAVY RECORDS / ShinkoNet's website. For instance, when you’re playing your Sample an octave above its original pitch in Sampler or DFD mode, its playback speed will be doubled; enabling the Env Follows Playback Speed button ensures that the Zone Envelope will speed up accordingly, so that your Sample and its envelope always stay in sync. It also allows you to reconstruct your loops into entirely new patterns and process their elements separately. Selecting one will display it in the waveform view. Each of these markers indicates the start of a Slice (and the end of the preceding one). It marks the position in your Sample where all playback will stop. Auch wenn wir die Inhalte unserer Webseite mit größter Sorgfalt erstellen, übernehmen wir für die Richtigkeit, Vollständigkeit und Aktualität der Inhalte keine Gewähr. Crop: Removes all audio data outside the selection; in other words, the selected region will become your new Sample. Jump to Zone End: When you click this button, the waveform view will jump to the end marker of your Zone. Note that this will change the length as indicated in the Zone Length field on the Sync / Slice tab as well; the tempo and (musical) length values are invariably tied to each other. When you activate the Grid on a Zone for the first time, it’s in Fix mode by default; if you’re currently in Auto mode, you can switch to the Fix mode by clicking on the Fix tab of the Grid panel. Note though that it’s a destructive function, which will alter the Sample data on your hard disk. DC bias appears as a constant offset between the sample values and the zero line. All of our devices are class compliant, so if you run into any connection issues please be sure to eliminate any hubs or connectors between the computer and your module. You can zoom in and out horizontally or vertically one level at a time by clicking the “+” and “-” buttons next to the scroll bars. You can always return to synchronized mode by selecting Zone again. Once you’re happy with your Slice selection, make sure the Mapping Editor is visible above the Wave Editor. When you set this parameter to a value other than zero, each new Zone will contain a volume Zone Envelope which fades the respective Slice in and out; the specified value determines the fade-out time, the fade-in time will be shorter than that. The Wave Editor’s interface panel is divided into five sections: At its top, a horizontal tool bar provides common utility functions and playback controls. A vertical line indicates where clipboard contents will be inserted when you use the Paste function. Note that when you choose a snap option, KONTAKT won’t change your loop right away; you’ll have to move both the start and end point of your loop manually in order to make them snap to the selected features. To lock all slices at once, Alt-click the lock icon. Once the Source Module that plays your Zone is in Beat Machine mode, any key to which the Zone is assigned will trigger the tempo-synchronized playback of all Slices in succession. The end position of your Zone is indicated with a red vertical line. 4 years ago Pages Liked by This Page Wu-Tang Clan BRAINFEEDER Roy Ayers Questlove Alternatively, click the time line and drag your mouse horizontally; this will stretch or compress your Grid until it matches the tempo of your Sample. They’re still being used in this way, but their predominant appeal nowadays is creative sound design. Any peaks in your waveform that cross these lines will result in a Slice marker being placed at their respective position. making moves since '92. urban.style.music. Each selection button can take up one of 3 colors: Non-highlighted (dark blue): The respective loop region has either not been defined yet, or has been temporarily deactivated. To use this feature, make sure your Grid is correctly set up, and enable the Use Beatmachine button on the Sync / Slice tab. Please inform us if you detect any copyright infringement so we can review the matter without delay. Loop Mode: This drop-down menu lets you choose between several different loop characteristics. As an example, reconsider the straight rock groove mentioned above: adjusting the threshold so that only the strong bass drum and snare hits cross the threshold will create large Slices, possibly at the length of 1/4 and 1/8 notes. Once you have placed Slice markers across your Sample via the Grid, you might want to trigger these Slices directly with your keyboard or from within your sequencer. Sie können die Speicherung der Cookies durch eine entsprechende Einstellung Ihrer Browser-Software verhindern; wir weisen Sie jedoch darauf hin, dass Sie in diesem Fall gegebenenfalls nicht sämtliche Funktionen unserer Website vollumfänglich werden nutzen können. You can adjust editable values either by clicking on them and moving your mouse up or down, or by double-clicking on them and entering a new value. Wir weisen Sie darauf hin, dass auf dieser Webseite Google Analytics um den Code „gat._anonymizeIp(); erweitert wurde, um eine anonymisierte Erfassung von IP-Adressen (sog. Apart from that, you can handle it in the same way as the start marker. To add more Slices to your selection, either hold the [Ctrl] key ([Cmd] on Mac OS X) and click further Slices one at a time, or hold the [Shift] key and click a second Slice to select all Slices in between. Now select the Pencil Tool and click inside the Slice of the snare hit that you’d like to process; a new “plateau” will be added to your envelope at this spot. Auto Find Empty Keys: If activated, KONTAKT will leave out any keys that trigger existing Zones when it maps Slices to the keyboard. Click this button; a new envelope will appear in the waveform view. Subscribe: http://bit.ly/BizzareContactSubscribe Bizzare Contact killing it at Groove Attack, Stay tuned for his upcoming release!Bizzare Contact Tracks: http://bit.ly/BizzareContactMusicListen To Minori EP: http://bit.ly/MinoriEPMore Bizzare Contact:https://www.facebook.com/BizzareContacthttps://soundcloud.com/bizzarecontacthttps://twitter.com/bizzarecontacthttp://www.beatport.com/artist/bizzare-contact/40277https://myspace.com/bizzarecontactBizzare Contact are Didy Ezra and Gady Ezra, one of the leading Psytrance groups in the globe.Their debut album \"Plastic Fantastic\" was released in 2004 and became one of the must-have Psychedelic Trance classics. THE MIXER EQ, COMPRESSOR, SAT, REVERB, WIDTH FOR EACH DRUM INDIVIDUAL DAW OUTPUT MASTER FX: COMP, EQ, TAPE, LIMITER To add a new marker to your Sample, activate the “+” button on the right side of the Grid panel, then click in the waveform view wherever you’d like the new marker to be located. If the Auto Pre-Listen button in the tool bar of the Wave Editor is activated, KONTAKT will automatically play your selected region whenever you change it. To get rid of the mapping, just delete the Group that was created in the process. INSTRUMENTS / GENERATORS Groove Machine Synth. Note that whenever you move an existing Slice or add a new one, it will be automatically locked. Perform destructive Sample editing: KONTAKT offers a range of operations that modify your Samples permanently on the hard disk; this is useful for editing tasks that prepare your Samples for smooth operation within KONTAKT, such as clean editing of start and end positions, normalizing, fades, or removal of DC bias. Alternatively, you can right-click anywhere in the narrow strip below the time line in order to create a marker at that position. Eine Zusammenführung dieser Daten mit anderen Datenquellen wird nicht vorgenommen. If this does not work, try to find a compromise threshold that covers most of the hits you’d like to be included, and then add or remove Slices manually as needed. Only one loop region can be selected for editing at any time. To change an existing selection, click its left or right border and drag it horizontally; holding the [Shift] key while doing this allows you to make finer adjustments. Firstly, there’s a noteworthy difference between zooming horizontally and vertically. Clicking on one of these buttons will select the respective loop region for editing; if it’s not active or has not been defined yet, it will be activated in the process. Bitte verwenden Sie die Hilfefunktionen Ihres Internetbrowsers, um zu erfahren, wie Sie diese Einstellung ändern können. Using the Pencil Tool and/or the Randomize Env function, you can quickly change Group-level parameters for each Slice in isolation. This is not always what you’ll want, though: for example, if your Sample starts with a region of excess silence, you might want to get rid of it permanently (instead of working around it by changing your Zone start markers). In contrast to the Fix mode, though, it won’t affect the position of your Slice markers; it’s only important if you use the Beat Machine or Time Machine to adapt your Sample to a new tempo. This process will be explained in the next section. As the name suggests, these functions operate on all Zones that you have currently selected in the Mapping Editor, not just the currently displayed one. Name, Anschrift) frei zugänglich und nutzbar. A value of zero will loop the region indefinitely, which means that playback will never reach any following Sample material and loop regions. 85 Unsere Webseite beinhaltet sowohl eigene als auch Marken und Kennzeichen Dritter. However, KONTAKT still needs to know the length (and therefore, the tempo) of your Sample in order to determine how far it has to be stretched or compressed in time to match your current tempo.

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